It’s the
summer holidays and I can understand that parents might be desperate to find
novel ways to entertain their young children, but a one-and-a-half hour guided
tour of a small house in Hampstead seems unlikely to fit the bill. Nevertheless
there were two such children, with their parents, in our small group as we
shouldered into the tight spaces of 2 Willow Road. The house has a pedigree: the
Modernist architect, Hungarian émigré Ernö Goldfinger, designed and built it in 1939 for himself,
his wife and their two children.
Ernö was an uncompromising man and his
architectural principles were rigorously defined by the use of space, light and
materials to maximise his buildings’ utility. He displayed great ingenuity and
integrity in the pursuit of his ideals but the resulting aesthetic was and is
not to everyone’s liking. This is the history that the two children were
expected to assimilate – without being allowed to touch any object whatsoever.
I could only imagine that their parents were architects themselves and habitually
served up such dry entertainment. Not that architects are necessarily cruel to
children: Ernö, we were told,
was extremely fond of them and even designed the toys that filled the bedrooms
and nursery - which were to be the last rooms on our tour.
Other émigrés
from Eastern Europe came here in the 1930s bringing new architectural ideas
with them to challenge the old order: sleek designs which rejected established
styles such as “Tudorbethan”; methods of construction using concrete to do away
with supporting walls; even ways of living were questioned by introducing
high-rise flats with integrated services. There were some successes but, on the
whole, their ideas died with them and the few buildings that remain intact are
cherished by aficionados of their pioneering work. Perhaps, before emigrating
to Britain, they should have studied our abysmal form on the acceptance of
new-fangled ideas.
The Romans
were the first to attempt to introduce architecture to our bemused ancestors. The
Ancient British, content with their simple eco-houses made of sticks, mud and
sods, had hitherto thought that their erections of crudely cut stones into big circular
patterns in fields represented the pinnacle of building sophistication so, when
the Romans showed them how to build forts, viaducts, villas and roads, they
must have felt somewhat embarrassed by their inadequacy. But when the Romans
departed 500 years later the natives reverted to their basic building
techniques having learned nothing - although they were quick to recycle the
abandoned masonry into dry-stone walling.
The East Europeans
gave it their best shot but did not have the Romans’ power of colonisation when
it came to imposing their ideas. By 1930 Britain had refined and set its
domestic architecture through a process of historical references and was
resistant to outside influences. Number 2 Willow Road may be a perfect example
of a house designed to suit modern living, yet so many preferred the older ways.
While our
guide explained the concrete, central-core construction of the spiral
staircase, the health-giving properties of the ventilation system, the
thoughtfully recessed windows with white surrounds reflecting light into the
interior and numerous other innovations, the children were marvellously quiet,
patient and composed. Either they knew what to expect or they were on best
behaviour so as not to be excluded from the nursery. If so, they showed a brave
face when it proved to be empty of toys, save for the ones shown in an old
monochrome photo.
By my
reckoning Ernö Goldfinger (if
only for his remarkable name) should have achieved greater fame and fortune.
But his mistake was to expect others would adopt his principle that logic should
hold sway over nostalgia in the design of domestic living spaces. Perhaps, if
those children were paying attention, his cause is not quite lost.