Friday, 16 January 2026

Expect the Unexpected

         I hadn’t expected to spend New Year’s Eve on my own, yet there I was, dodging rockets on the terrace of our Airbnb in Naples, while my other half languished nearby in l’Ospedale dei Pellegrini. Having that morning complained that she was experiencing a mini firework display of her own, in her left eye, we had sought an examination from a high street optometrist, who duly diagnosed a detached retina and sent us off to an appropriate medical facility for urgent treatment.

          Prompt and effective medical intervention (a retinopexy) saw to it that no lasting damage ensued, so high anxiety ebbed away and relief washed in. Though there were moments during the next few days of recovery when doubts about the efficacy of the treatment did surface, they turned out to be unfounded. In fact, we were even able to see a positive side to the experience. Our engagement with the Italian public health service* had brought us into contact with real people, who were friendly, caring and helpful – interactions you don’t necessarily get as a run-of-the-mill tourist on the regular circuit.  

          Of course, we had laid plans for our final week in Naples, but the patient’s recuperation involved a lot of lying down and the avoidance of strenuous physical activities (both of which restrictions are unnatural to her) so we tempered our programme accordingly. The last few days were the ideal time to poke our noses into some of the huge churches in the neighbourhood, since we had hitherto prioritised attractions more appealing to us.

          Places of worship are of interest to the atheist insofar as they reflect art, architecture and the phenomenon of the enduring need for religion. Occasionally, they can inspire a semblance of spirituality or, more likely, contemplation, as when I find myself alone in some simple, remote chapel in a quiet, rural setting. But the ultra-lavishly decorated churches typical of Italian cities have the opposite effect. All the wealth and resources spent on these buildings to glorify a fairytale deity smell to me of corruption and the inequities of social oppression.

          The infrastructure of religion dominates the centre of Naples. L’Ospedale dei Pellegrini (the Pilgrim’s Hospital) has a massive church at its heart and, as its name suggests, was founded to assist religious pilgrims. Even now, years after being absorbed into the public health system, the waiting area outside the ward features an altar, complete with statue of Mary. And, in the doctor’s consulting room, I counted three crucifixes on the walls. So, we atheists must take a practical view if we are to overcome the bitter taste of religion. It has shaped the world we live in, but our hope is that its days are numbered. Those numbers, unfortunately, are not in my favour, so I take solace in the aforementioned interests of art, architecture and history.

          More to my liking is the Palazzo Venezia, an ancient relic of a building constructed in 1396. Although it is set in a courtyard, directly off the very narrow, crowded tourist drag of Via Benedetti Croce, it is easily missed as you inch your way past the trinket shops and cafes. But, when I did spot the unassuming entrance, I was immediately intrigued. It is one of the earliest examples in the world of a foreign ambassador’s residence and, although it’s modest in scale and decoration, beaten up and bashed around a bit, an aura of its former charm lingers – not least in its hidden garden, a rarity in this part of the city.

          Had I found it earlier in our sojourn (a word that surely has origins in common with soggiorno, Italian for living room, or lounge) I would have visited every day, just to inhale its history. There was just enough time before we left to introduce my Other Half, by then more active, to the crumbling palazzo. Her enthusiasm matched mine but, with our departure imminent, we talked of returning to Naples for a re-immersion in its charms.

*There is an arrangement for reciprocal public health services between the UK and many other countries, Italy among them.

 

 

 

Friday, 2 January 2026

Palazzi Centrale

          In 1549 William Thomas, some-time official at the court of Edward VI, published the earliest description in English of Naples. He praised the city for its “goodly streets and beautiful buildings” and its “fair women”, musing that “Naples contendeth with Venice whether (it) should be preferred for sumptuous dames”. It sounds as though he at least had some fun before he was hanged, drawn and quartered five years later.

          Notwithstanding that genetic augmentation must have had its effect during the centuries since Thomas’ report, the ideal of the Neapolitan beauty lives on – in my imagination, at least – and occasionally manifests itself, in passing, on the streets. More often, however, I am disappointed to see Botox-filled lips – more akin to Donald Duck’s bill than Sofia Loren’s pout.

          Global fashions prevail here, as they will in any other modern city, yet there is still much about Naples that is unique and seemingly baked into its collective psyche. The same can be said of any other place but, for now, I am here and keen to experience whatever is special about the place.

           Another historical observation, this from 1779 by the Irish singer Michael Kelly, is that “despite the cheapness of wine in Naples, I never, during my sojourn there, witnessed a single instance of intoxication”. Nor have I (though it has been only two weeks and I am off the streets much earlier these days). At around the same time, Henry Swinburne noted that violent behaviour was rare in the populace and attributed this to two factors: lack of drunkenness and the ‘safety valve’ of loud and uninhibited verbal disagreement that dissipates the energy that drives physical violence. Only statistics can prove the former, but any Brit can tell that this place is noisy.

          The extent to which the characteristics of a city’s people are shaped and endure over time must have something to do with its buildings and historic institutions. When one or other of the kings* of Naples took his throne, he devised a cunning plan to keep an eye on his various dukes etc by requiring them to maintain residences in the city, away from their country seats, where they could get up to no good and form sneaky alliances against the monarchy. The result of this strategy was the stuff of estate agents’ dreams: urban plots shot up in value. Naples became the first city to build tenements over three stories high, into which poor people were squeezed, while the aristocracy built vast palazzi in all the best spots. All that architecture remains in the centre of Naples, which is famous for its picturesque, laundry-strung, narrow streets squashed between royal palaces and churches so vast they could accommodate half the population were they to be converted into apartments.

          But the churches stand, some empty and derelict, others still used for worship. The palaces also remain, though these are now undergoing perpetual restoration, as the state rooms in all their decadent magnificence are opened up to the public (for a fee) and the remainder of the spaces hung with the city’s trove of art. On a visit to the Palazzo Capodimonte, for example, we trudged through room after room full of religious paintings (not one of which conveyed an iota of joy) and were quite relieved that only one of the two floors was currently open to visitors.

          Despite the city’s adaptations to modernity, it is easy to conjure the 16th century when so much of the ethos of the time is hard wired into the “goodly streets and beautiful buildings” that remain. What other explanation is there for the unique vibe of the place?

*I forget which of the many.