Mumpreneur, a
word newly recognised by the Oxford Dictionary, is a good example of two words
combined to make a new one which nicely expresses some novel aspect of the way
we live. Such new words and phrases are being invented all the time but I am
still waiting for someone to come up with an alternative to ‘arts centre’. It’s
an ungainly and unimaginative description applied to places which deserve more
linguistic distinction than to be lumped in with ‘shopping centre’, ‘medical
centre’ or ‘Ministry of Transport Vehicle Testing Centre’. Personally, I would
prefer a phrase with less of an institutional ring and more of an evocative one
such as, say, ‘amusement arcade’. Could someone, please, at least come up with
a description that omits the word ‘centre’?
Arts centres
may all have the same unfortunate name but (and this is partly to the point)
they don’t all offer the same thing. One Monday evening I travelled about three
miles to a slightly-out-of-town arts centre. The place is a huge, purpose-built
regeneration project, a pioneer, “destination” building on a former brownfield
site. Having miscalculated the travelling time via the tram I arrived with half
an hour to spare and struggled to find a profitable way to spend it. The
galleries were closed so I headed for the large, open-plan bar. There were four
adults and an assortment of toddlers occupying a couple of sofas on one side of
the space and, on the other side, a man and woman in ardent conversation. The solitary
staff member was leaning behind the bar, arms folded and face blank. I imagine
she was anticipating the end of her shift. I chose a seat in the neutral space
between the other customers and proceeded to read every word on the stack of
flyers I had collected from the front desk. There are three theatre spaces at
this venue but, that evening, they were all dark and the fringe event I was
attending had attracted around 50 people. When it was over we trickled through
the vast foyer and out into the desolate, windswept piazza to walk either to
the tram stop or the multi-storey car park. There was nothing else.
The
following afternoon, on a whim, I walked to an arts centre in the city centre.
It occupies a couple of old buildings next to a mainline rail station and at
the intersection of two main roads - one of which is reputed to be Europe’s
busiest bus route. The place was buzzing – as it usually is – not only because
it’s a good arts centre but also because it is an ideally situated meeting
place. The prominent location and the volume of “passing trade” ensure that its
bar and cafe benefit from the constant presence of that vital ingredient - people.
It is not a place, like a stadium, where people only come and go with the
staging of events; it is a convenient, familiar venue moulded by constant human
interaction into a lively hub of creative interests.
This will be
gone in a couple of years. The planners have decided it should be relocated to
a purpose-built complex on a brownfield site half a mile away – a
geographically obscure place which will have no passing trade. Yes, the
glittering new building will have bigger and better facilities; yes there will
be ample and convenient parking and yes, there is a possibility it might eventually
regenerate that dead corner of the city. No doubt there will be a lot of new
signage to help the lost and bewildered but, if and when they get there, they
will find a very different kind of facility. They will surely note the
difference between the original, unique, organically grown, human-scale, interactive
space and that which replaces it - the aptly named, arts centre.