The time I
spent living in the Sahara Desert taught me two things: one was never to go out
in the midday sun; the other was never to complain about the weather back home.
It's not just that the Sahara is very hot: it is mind-numbingly, never-endingly
hot. Britain, by comparison, with its cycle of four seasons, is a refreshing
and stimulating place to wake up in, a place where the weather - capricious as
it is - keeps you on your toes. In the Sahara the weather keeps you mostly on
your back.
The
predictability of my precious seasons may be threatened by global climate
changes but they do still retain a rough pattern and sequence. Right now, early
summer, is a time of anticipation. The sap is rising in so many ways: students are
finishing their studies and heading off to music festivals; families are getting
excited about going on holiday; tables and chairs are being set outside cafés and pubs - and I am watching my
geraniums begin to flower. Not that I am a fanatical gardener, but my enthusiasm
for music festivals wore thin years ago, family holidays are off my agenda and
there is only so much time one can profitably spend at cafes and pubs.
And, given
my hard-won appreciation for the changing seasons, I do my best to encourage mother
nature to display her wonders. I once lived in a house which had an extensive
garden but nowadays it's a city centre apartment with balconies where geraniums
- and other potted plants - have pride of place. Here the random splashes of
green foliage and multi-coloured blooms serve as an antidote to regimented
architecture, drab stone, dull concrete, utilitarian railings and grimy bricks.
Against such a background, plants represent the joyous spirit of uncontrolled
chaos asserting itself in spite of having been deliberately excluded by the town
planners.
Evidently
not all the residents around here feel the same way. There are some token
plants on one or two balconies, some neglected specimens on others but none at
all on most. This strikes me as strange. Surely they cannot all be indifferent
to the change in season heralded by the blossoming of plants? And where is their
pride in appearance? One's balcony, unlike one's back garden, can be seen by
hundreds of people. At the least I would expect some competition to develop -
as it does so readily on allotments.
But perhaps
they are all content to look across at my display - and who could blame them? I
have experimented endlessly to get things just right. Different styles of pots,
changed according to the fashion of the day; a profuse variety of geraniums; a
few carefully interspersed evergreens and everything arranged tastefully with
all the sensitivities that my limited knowledge of feng-shui can bring to the scene. Faced with such a show of
expertise, would-be competitors may well have withdrawn from the fray.
I took a well-earned
break from tending my display, sitting down to leaf through the weekend papers
where a special feature advertising the summer's music festivals caught my
attention and caused me to look back and ponder on my gradual transition from carefree, youthful festival-goer
to pernickety old gardener. How did that happen? I decided to find out - the
easy way. That evening Glastonbury was on the TV. After watering all the pots I
settled down to watch.
The sun shone
on the crowds (just as I remember it used to) but my heart wasn't with them. The
music didn't belong to me - until the Stones came on and took charge of the
occasion. They hit us with a double whammy, stirring the loins of an old
gardener and captivating a generation (or two) of future gardeners.
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