I attended
my friends' wedding last week and, although it was a lay ceremony, several elements
of it resembled the traditional Christian format: for example, the venue - a
splendidly elaborate Unitarian church. At the end, when they walked down the
aisle newly-wed, we broke into a round of applause. It seemed the thing to do
at the time but, on reflection, I'm not so sure it was. I think of applause as
being a form of reward for the efforts of those who have earned it - people who
win races, sing arias or otherwise excel by honing their skills in order to
achieve remarkable things. Newly-weds don't really qualify on these criteria.
In the
course of traditional weddings conducted in church, behaviour is prescribed
according to the ceremonial format: everyone is told exactly what to do and guests
are not encouraged to deviate from the script. There are no spontaneous
gestures except for discreet smiles and nods towards the bride and groom as
they pass up and down the aisle. Congratulations are given personally, outside
the church. But with more relaxed formats evolving, there can be ambiguity as
to how we, the guests, should express our congratulations. If there are no
instructions we must ad-lib as best we can. It would be helpful if someone
would compose a special song - a bit like Happy
Birthday - which we can all sing together at the end of proceedings. I so
want to do the right thing.
The next day
we were on the London train for a scheduled stay in Hampstead. I had earlier
read a newspaper article entitled Another
French Bakery Opens in Hampstead which explained that this proliferation is
due to the increasing number of French people who are choosing to live there. Since
a disproportionate part of my time is spent grumbling about the poor quality of
the bread available in shops and trying to track down the real stuff, i.e. made
with good flour, additive-free and slow-risen, this constituted a good-news
story for me as well as the émigrés. The French may have their weak points
but baking is not among them.
We alighted
at Hampstead tube station and made our way to the lift among a gaggle of young
French people. Emerging on to the busy, sunlit street the first sound we heard was
that of a busker playing the accordion. He was wringing out the kind of
sentimental tunes which I always associate with the soundtracks to those old, black
and white films set in Paris. He might have been wearing a beret and a neckerchief
- or I might have imagined it. All around us was the exuberant sound of French
being spoken, interspersed by occasional fragments of conversation in our
native tongue.
And there were the bakeries, three of them
within a hundred yards (or perhaps I should use metres) of where we stood,
their showy window displays flaunting their foreign origins and shaming their
dowdy neighbours. I imagined the manager of the faux French Café Rouge nearby growing daily more anxious
about his declining takings.
I feasted
visually on the pastries, tarts and gateaux meticulously arranged in
symmetrical, colour-coded arrays. I planned a delicious picnic hamper full of
fare selected from the stacks of baguettes, rolls and croissants artfully slit
and stuffed generously with cheese, charcuterie and salad.
And then
there was the bread, piled into wicker baskets, stashed into wooden cubby holes
or perched on the counter-tops: white sourdough, sourdough with 15% rye,
wholemeal for toast, spelt with sunflower seeds, walnut and apricot boules,
pain de compagne and
olive-stuffed sticks. If I were a spontaneous person I might have burst into
delighted applause.
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