The end of the world is
nigh again. I saw the notification, outside Pret a Manger, by Victoria Station,
written in black felt-tip on two sheets of cardboard propped against a wall.
The sentences were ungrammatical, written more like a mood-poem with words like
Lord Jesus, final judgement, angels,
fire, destroy, etc. However, it conveyed its message effectively and was
unequivocal about the date: December 2018. The presumed author and wild-haired prophet
of doom sat at a nearby pavement table, a camouflage-print survivalist rucksack
and a freebie golfing umbrella at his feet. He was nursing a Pret beverage and
studying a copy of the Metro. Just why
he would bother reading about news and current affairs is a mystery,
considering that soon they will cease to be. I watched him through the window while
I sipped my coffee. Was he was taking a well-earned break from proselytising,
or just idly passing the time ‘til December? Whichever, he was making very
little impact on his target audience. One person did stop to read the notices, a
middle-aged woman carrying shopping bags, but then she glanced disdainfully at the
off-duty prophet and plodded on, shaking her head.
I certainly hope the
world will not end that soon – there is so much I would like to do that I can’t
fit it all into the next nine months – but if it does, it will certainly not be
the work of an avenging god and his cohorts of angels. If there were a god, why
would he go to all the trouble of creating disobedient humans only to destroy
them when they proved to be disobedient? In any case, would he do it just
before his son’s birthday? I don’t think so. More likely, if the end comes at
all, it will be because of the falling-out of two pumped-up egotists with
eccentric hairstyles and itchy trigger-fingers. Still, it got me thinking that I
should draw up a list of priorities to allow for life’s shorter-than-expected
span. I could make a start by getting up earlier, then eliminating every moment
of downtime from my daily schedule e.g. staring into space or watching property-porn
on TV. Then I could pick off other pointless activities, such as going to the
gym: fitness will not be advantageous in the event of one’s imminent and
inevitable demise.
I finished my coffee
and, with a renewed sense of urgency, went to catch my train for Margate, one
of the places I have been curious to visit – but only since it got its new art
gallery, the Turner Contemporary. Margate is one of many seaside resorts that lost
its appeal when holidays in Spain became popular. The town’s investment in a ‘destination’
gallery aims to compensate for that loss of trade. I certainly hope it works although,
like the Council’s other major developments in recent times – the civic centre,
the tower of flats, the shopping centre – it is an ugly brute of a building in
a very prominent position. The magic only happens when you step inside: the
windows face the sea, so that the marring of Margate, be it new and overbearing
or old and decaying, is not visible. Looking out to the sea and sky, it is possible
to imagine a positive future for the children busy in the bright studios and
workshops.
The main exhibition, currently,
is themed to connect with T. S. Eliot’s poem The Waste Land. He worked on his creation while in the town,
recuperating from a nervous disorder. In 1921, he sat in the ornate Edwardian shelter
overlooking Nayland Rocks and wrote “On
Margate Sands / I can connect / Nothing with nothing.” A bit like the
Council, I thought, as I looked up at the wall of the adjacent bunker-like
public toilets, where they had tacked the blue plaque commemorating the poet. How much more ugliness could they conceive in nine months?
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