On just my second day away
from home last week, I was puzzled by the disappearance of my change of underwear.
Certain that I had packed it, I made an extensive but fruitless search of the
rooms, concluding that I must have inadvertently recycled it with the previous
evening’s bottles – or something. Still, apart from a spot of unscheduled
laundry and shopping, the loss did not disrupt my plans unduly.
I was keen to see the
exhibition Charmed Lives
in Greece at the British Museum so that I could ‘join up the
dots’ that connect the writer Patrick Leigh Fermor with the artists John
Craxton and Nikos Ghika. While in Athens a couple of years ago, I had been
enchanted by Ghika’s town house – now a museum – that is full of art and memorabilia
from post-war Greece. Fermor and Craxton featured among the exhibits but I did
not then appreciate the extent of the connection between the three. My appetite
having been whetted in Greece, this exhibition presented an opportunity to find
out more. But I have a self-imposed limit when it comes to amassing information
on any one subject, since my aspiration is not to become an amateur specialist
in just a few fields, but to make connections with as many strands of history
as I can. This is an ambition that can easily get out of hand though, since the
scope is enormous. Sometimes, friends look nervous when I launch into a “Did
you know?” – as in, for example, “that Maida Vale in London was named after the
Sicilian village of Maida where, in 1806 General Stuart’s British force
beat the French? And there was, until
recently, a pub called the Hero of Maida
with Stuart’s portrait on the sign?” (I am reading a history of Sicily because
I plan to go there soon.)
Sometimes, however, it
is refreshing to know nothing. When, days later, I went for the first time to
the Hertfordshire town of Ware (for a family birthday celebration) nothing
connected it to anything I knew – although its name always reminded me of a
childhood sweetheart called Christine Ware. Arriving early, I poked my nose
into the town’s museum, where civic pride in its history as “one of the oldest,
continuously occupied sites in Europe” was evident. As I scanned the captions, I
half hoped to see a mention of the Ware family but there was nothing. The only
connection – and a tenuous one at that – is the Roman road, Ermine Street,
which runs through Ware and up to Lincolnshire, where my courtship of Christine
was conducted on the playground swings of our innocence.
The acquisition of facts
in this age of information is easy. So easy, in fact, that the quantity we can
amass threatens to outstrip our ability to process it. How much capacity do our
brains have? Until recently, it was supposed that older people’s brains were
unable to create new cells. Latest research, however, indicates that this is
not necessarily so, as long as the person is fit and healthy in mind and body.
Despite this, we all have limited life spans and are unlikely ever to match,
say, Facebook algorithms’ ability to make zillions of connections between
zillions of scraps of knowledge. Not that FB’s conclusions can be relied upon:
there is no way, for example, that I can be persuaded to pay £70 for a pair of poncey
slippers. On the other hand, there is a possibility that it could put me back
in touch with Christine.
But that is mere
fantasy. What I really want is for my brain to continue making new cells,
especially since, when I got home yesterday, I found that my underwear had
never left its drawer.
Where is the wisdom we have lost in knowledge?
Where is the knowledge we have lost in information - TS Eliot
from your other Russian friend